You know that thing
some people do on the web on Saturdays, where they publish pictures
of cats, and comments about cats, and publish jokes and pithy sayings
about cats and cat lovers, and they call it 'Caturday'? Isn't it
annoying?
Let's do it.
In the torrent of
cat-related posts there are few on talking cats. And yet there are so
many to choose from.
Talking animals are a
common device in fiction. Because the concept is absurd, talking
animals make a good vehicle for comedy. Because it is a strange one,
talking animals can also be used to add mystery, mysticism or just
plain weirdness to stories. They make good guide and mentor characters
because when an animal starts talking, you should pay attention. A
staple of myths and fairy tales in the past, talking salmon and seals
have been replaced today by more familiar animals like mice, dogs and
of course cats. Real cats are aloof and distant at all times, except
when they are cute and cuddly when they need something from you. That
level of self-centered machination is practically human, making them
an ideal avatar for our own selves.
As an example take
Krosp, the emperor of all cats. A character in the webcomic comedy
adventure 'Girl Genius' («a gaslight fantasy») he is the creation
of a mad scientist, or 'construct, an artificially created sentient
creature.
The story in Girl
Genius can get quite complicated. Various characters pursue their own
agendas while moving towards a grand finale that will probably
involve time and dimension travel. Krosp is part a large cast of
characters who weave in and out of the story. At first he is a
gatekeeper, giving information to the heroine Agatha, moving her
forward in her own story. When he first meet an isolated Agatha, she
jokes that she has to listen to him. He surprises her by accepting
seriously her fealty and offers her his protection. What is a joke to
all the other characters is serious to him; Krosp was
literally created to
rule. He cannot deviate from his pre-set agenda while at the same
time understanding how absurd his position is. He later becomes her
confident, a sounding board for exposition dialogue. From there he
gradually evolves into an active ally.
Krosp leaves the story
several times, making a grand entrance at each return. It turns out
that he has his own story arc. When he finds the other constructs his
maker created to be his subjects he can finally use his embedded
leadership talent and is given the true power of an army. As the
story progresses he uses this power to help Agatha. The importance of
it is always downplayed through comedy.
In this talking cat
case the focus is on Krosp's humanity. He is a person tapped in a
cat's body. His cat qualities are useful to bring the story forward
(for example he can follow a scent trail) or comedy relief (he freaks
out when near water). His story arc is just as epic as the main
character, we just don't get to see it as a lot of it develops
offstage. In this case 'being a cat' can stand for 'dealing with
preconceptions'. Everyone that Krosp meets is as much a freak as he
is but his appearance keeps him apart. It is a very human position to
be in.
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